VST2 or VST3 compatible application (Cubase, Nuendo, Sequoia etc.
Pro Tools 10.3.8, 11.3.2, 12 – AAX NativeĪpproved Pro Tools CPU, OS and hardware configuration: iLok USB device with latest driversĪudio Units-compatible application (Logic, Digital Performer etc.) This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal.ĥ bands of the Oxford Type-3 EQ curve which offer proportional-Q, often considered the most musical EQ curve-typeĪll bands can overlap fluidly without the static phase distortion or low frequency artefacts associated with multiband compressorsĮach band can process and/or detect from mono, stereo, mid or side channelsĪ clear and informative GUI simplifies the often-complex workflows associated with multiband dynamic plug-insįlexible upwards/downwards compression and upwards/downwards expansionĮngage the effect either by setting a level threshold or by using the unique onset detection feature for very precise transient processing Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low end energy in the centre. The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike. Its advanced algorithms and novel features allow fast and extremely effective removal of pops, clicks, crackles, scratches, hum, buzzes and background noise from virtually any recording without damaging the important 'wanted' audio content. Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. Sonnox Restore is a very capable suite of three plug-ins designed for highly accurate audio restoration. Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?